Big Thief

Two Hands

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  • 人人橾超碰公开视频人caopong超碰线视频进入久久精品在线视频_AV在线视频成人社区,男人的天堂东京热!自导自演“被袭击”博眼球 这名男演员的事闹大了


      然後繼續點頭。   我想吃年糕,那個常年佔據他沙發的微博小號!人人橾超碰公开视频人   林徵羽不知道陸昔年這邊發生的?迨攏  只嘔囟道錚 酉唄庸輝洞Φ納磧笆保 劾 男σ庀粑?巍固定關鍵字2}   “沒有啊,不知道,沒注意。”陸昔年縮縮脖子,感到一絲不妙。   尋覓︰哈哈哈,小朋友還挺會說話。久久精品在线视频_AV在线视频成人社区,男人的天堂东京热!   寂靜空間里, 兩人輕輕喘著氣, 灼熱的氣息交纏在一起, 讓陸昔年耳尖發紅、臉頰滾燙,粉色的唇瓣因他一系列的動作變成了絳紅色。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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