Big Thief

Two Hands

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  • 免费97超碰视频公开视频在线超碰上传最新公开视超碰免费人人视频公开平安集团总经理:平安不会做房地产公司的门口野蛮人


      既然身負重任,就不能提前給自己制造障礙,弟子在沒有掌握局面之前,一定會努力做一個相對平庸的人。”   “你從未問起過。”免费97超碰视频公开视频在线   離開雲氏錢庫之後,張安世並沒有上雲瑯給他準備好的馬車,也沒有騎自己平日里騎著的那匹黑馬。超碰上传最新公开视   被霍光找人丟冰水里泡了半個時辰之後,張安世就完全清醒過來了。   合同部可能是他們一家人最後的補給地,離開哈同部之後,一家人就會真的步入無人區。超碰免费人人视频公开   曹襄長嘆一口氣道︰“給了,剛才走的時候給人家裝牛車上了。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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