Big Thief

Two Hands

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      霍去病沉默了片刻道︰“給我三百騎……”   早起的曹襄瞅著沉睡的雲瑯,輕輕地嘆息一聲就去了城牆,在這里沒什麼好依靠的,能多做一點就多做一點。国产超碰免费高清视频   他的到來讓受降城里的羌人,終于誠心誠意的接受了大漢的統治。国产超碰免费视频   曹襄忍著劇痛道︰“不要說出去啊,蛋頭的虎威我們還要繼續借用,否則,公孫敖會反撲的。”   他這時候非常的同情何愁有,就在前幾天,郁悶的總想喝酒的人是他,現在把始皇陵這麼大的一個包袱丟給了蛋頭,他想喝酒太正常了。超碰在线视频97总资源   也從側面說明了一件事,大勝歸來的衛青,並沒有表面上那麼榮光,手下正在被公孫弘這些人逐漸剝離,他卻沒有任何辦法。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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