Big Thief

Two Hands

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      果然,走進曹家的時候,就看見曹襄穿著一個大褲衩子臥在樹蔭下釣魚。   今日是看不成病了,宋喬就吩咐旁邊的羌女道︰“醫者今日有事,暫停一日!”在线看片免费视频超碰在线视频   甦子良自然感受到了雲瑯的變化,挺直了身體道︰“小稚如何甘願為妾?”超碰公开免费上线视频播放   “我跟師傅已經吃過了,師娘跟師妹想必有些餓了,趁著天色還不算晚,吃碗面墊墊肚子。”   雲瑯倒吸了一口涼氣,他沒想到一個人居然會貪婪到如此地步,這哪里還是在白登山上表現的英明神武的謝長川啊!超碰在线视频频观观看   不求百姓變得多富庶,只求那些泥腿子們不要造反,我就心滿意足了。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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