Big Thief

Two Hands

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  • 超碰免费公开上传视频在线久久超碰人妻在线视频成人超碰公开在线观看十二大博客看后市:走牛信号变多 一点可激活市场

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      “我長門宮真的要跟皇後,長平她們相爭嗎?”   “進城的漢人已經多達兩千四百戶,羌人不到三百戶。想要把城池裝滿,還需要引進一千五百戶以上。”超碰免费公开上传视频在线   因為時間的關系,高大的石柱上沒有雕刻任何花紋,外表依舊保留著工匠斧鑿的痕跡,看起來就像是在石柱上瓖滿了花瓣,層層疊疊的從底部一直落了下來。久久超碰人妻在线视频   畢竟這片土地要比他隴西的老家還要來的富庶,來的有前途。   “壓制李廣利也是其中一種?”成人超碰公开在线观看   可是,只要把眼光放長遠就會發現,雲瑯在涼州做的任何事情都有著極其明確的目標。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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