Big Thief

Two Hands

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    《人間詞話》,青年們讀得懂的太少了;肚里要不是先有上百首詩,幾十首詞,讀此書也就無用。再說,目前的看法,王國維的美學是“唯心”的;在此俞平怕“大吃生活”之際,王國維也是受批判的對象,其實,唯心唯物不過是一物之兩面,何必這樣死拘!我個人認為中國有史以來,《人間詞話》是最好的文學批評。開發性靈,此書等于一把金鑰匙。一個人沒有性靈,光談理論,其不成為現代學究、當世腐儒、八股專家也鮮矣!為學最重要的是“通”,通才能不拘泥,不迂腐,不酸,不八股;“通”才能培養氣節、胸襟、目光。“通”才能成為“大”,不大不博,便有坐井觀天的危險。我始終認為弄學問也好,弄藝術也好,頂要緊是humain?,要把一個“人”盡量發展,沒成為XX家XX家以前,先要學做人;否則那種XX家無論如何高明也不會對人類有多大貢獻。這套話你從小听膩了,再听一遍恐怕更覺得煩了。超碰公开永久免费上传 超碰免费视频caopoo8 協奏曲鋼琴部分錄音並不如你所說,連輕響都听不清;樂隊部分很不好,好似蒙了一層,音不真,不清。鋼琴loudpassage[強聲片段]也不夠分明。據懂技術的周朝幀先生說︰這是錄音關系,正式片也無法改進的了。以音樂而論,我覺得你的協奏曲非常含蓄,絕無羅賓斯丹那種感傷情調,你的情感都是內在的。第一樂章的技巧不盡完整,結尾部分似乎很顯明的有些毛病。第二樂章細膩之極,touch[觸鍵]是delicate[精致]之極。最後一章非常brilliant[輝煌,出色]。搖籃曲比給獎音樂會上的好得多,mood[情緒]也不同,更安靜。幻想曲全部改變了︰開頭的引子,好極,沉著,莊嚴,貝多芬氣息很重。中間那段slow[緩慢]的singingpart[如歌片段],以前你彈得很tragic[悲滄]的,很sad[傷感]的,現在是一種惆悵的情調。整個曲子像一座巍峨的建築,給人以厚重、扎實、條理分明、波濤洶涌而意志很熱的感覺。 超碰人人在线视频 高清 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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