Big Thief

Two Hands

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  • 超碰在线伊人大香蕉AVconporm超碰分类caoppor超碰在线视频6绿色债券正规模化发展 环保企业呼吁提升需求适配度

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    第九十四章 干大事的人   現在,應該是這個家伙的蟄伏期,無論拋出什麼樣的難題,他都會接受。超碰在线伊人大香蕉AV   李敢摸摸雲瑯的額頭,詫異的道︰“你昏頭了?”conporm超碰分类   “那就再忍一天,不能再多了,下一次應該有更多的準備才好,像這一次毫無準備的就把所有人丟在荒原上,已經招來不滿了,這不是一個好事情。”   “別看了,小心腳下的丹墀,百鳥朝鳳燈山你家用不起,也不能用,那可是朝廷貴婦們一人一座燈盞拼湊起來的燈山,你家要是用了會被砍頭。”caoppor超碰在线视频6   “這他娘的要不是聖人,耶耶把腦袋割下來!”曹襄忿忿的道。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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