Big Thief

Two Hands

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      馬老六剛才擔心雲瑯發飆,特意躲在幕煙的身後,他沒有看清楚牆上的畫像變成了什麼樣子,如今被幕煙猛地一把捏住脖子,更是覺得莫名其妙,這麼簡單的一幅圖畫,幕煙是怎麼看的?怎麼就跟女人聯系到一起了?   劉徹扶著長劍從戰馬上跳下來,長長的紅色披風拖在地上,拂過地上的碎石,雜草。超碰在线国产视频公开   右賢王輕聲問道,他似乎在擔心聲音稍微大一些就把那群剛剛進入埋伏圈的小老鼠嚇跑。超碰免费公开加勒比   只是在走進帳篷的時候,雲瑯眯縫著眼楮重新瞅了一眼這座太華山。   雲瑯還想豎起耳朵仔細听听木屋里的話,守在他身邊的一個披甲宦官就輕咳一聲,雲瑯只好站的直直的,不敢胡亂動彈。超碰免费公开上传视频在线   雲瑯搖搖頭道︰“不是受降城,是白登山,冒頓的墳墓挖了一年多,听說有發現了。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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