Big Thief

Two Hands

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      “這些人都是泥人吧?”雲瑯指指那些栩栩如生的外臣塑像問道。   不過,以石屋里外的體積來看,那間暗室應該沒有多大。兩個人擠進去恐怕連站立的地方都沒有。超碰在线视频v   太子胡亥襲位,為二世皇帝。九月,葬始皇酈山。超碰在线公开免费护士   雲瑯……   雲瑯笑道︰“當然可以,只要毀掉那個手持鏈子錘的金人,大門口所有的機關也就死掉了。問題是我一點都不想去探究,咱們回去吧。”超碰国产在线公开   項羽對始皇帝的仇恨很深,滅國之仇用什麼樣的手段報復都不為過,按理說項羽肯定會挖掘皇陵,可也沒見司馬遷記載項羽是否挖過始皇陵,可是他對始皇陵內部的描述卻如此詳細,雲瑯非常的驚訝。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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