Big Thief

Two Hands

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  • 超碰在线视频区小学生超碰在线看片免费视频超碰在线视频caopoom35岁萌娃给派出所送来等身高锦旗 背后故事超暖心


      只要規劃好,四千多人居住的一個大村落,用不到多少地盤就能完成建設。超碰在线视频区小学生   甦稚一身麻衣昂首闊步的穿行在這些美艷的丫鬟中間,一雙手很自然的插在胸前的大口袋里,臉上笑吟吟的。超碰在线看片免费视频   以前的時候,富人來看病也是不要錢的,後來藥婆婆發現,富人們似乎對這種一視同仁的做法並不是很領情。   被曹襄狠狠地推醒了,雲瑯茫然的睜開眼楮,擦拭一下嘴角的口水笑道︰“吵完了?”超碰在线视频caopoom3   “小君呢?” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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