Big Thief

Two Hands

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  • 超碰线观视频免费观看视频97超碰在线观线观看韭菜在线视频7m超碰av今年的国庆假期 长城外滩西湖全变“人粥”


      “曲轅犁從不見史冊記載,僅憑空想無濟于事,必須先制造出一架來,然後方能徐徐推進。”   “我現在也很倒霉,別看當官了,還沒有白身的時候自由。人家要砍我,我連喊冤的機會都沒有,因為人家會說對我執行的是軍法。”超碰线观视频免费观看视频   長平走的時候,交代的話有些語重心長,看得出來她的憂思很重。97超碰在线观线观看   丑庸正要安慰他,就听雲瑯抽噎著道︰“以後不要給我拿獨頭蒜……”   “你小心了,偷錢的事情主人家知道了。”韭菜在线视频7m超碰av   “卓氏的賠禮非常有誠意啊。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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