Big Thief

Two Hands

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  • 超碰视频直播新超碰在视频超碰视频公开福利在线观看澳洲成峰高教8月12日斥5.19万港元回购16万股

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      雲瑯自認是一個充滿憐憫心的人,如今,他卻心硬如鐵。   衛皇後對雲瑯的要求非常的滿意,笑呵呵的答應了請求,再一次在雲瑯這里確認劉據不會有性命之憂之後,就帶著大隊人馬離開了雲氏。超碰视频直播   為了讓自己的行為變得合理合法,董仲舒從勛貴之家,討要來了足足一百一十二個薦舉名額。新超碰在视频   董仲舒坐在馬車上,目睹了這一切,對呂步舒道︰“你是不是認為雲瑯很蠢?”   曹襄重重的一拳砸在錦榻上道︰“那就殺了他!”超碰视频公开福利在线观看   “病了?嚴重嗎?” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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