Big Thief

Two Hands

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  • 韭菜在线视频7m超碰av97超碰在线观线郑贝贝超碰在线国产视频公开脑洞大开的DIY 电脑主板改造大画幅相机

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    那天晚上我是天主,然而我並不是高踞在寶座之上冷漠地俯視我的杰作 和我的業績,我態度和藹,神情溫和地坐在我的杰作當中,仿佛透過我身邊 雲層的銀色煙霧,模模糊糊地看見了他們的面容。我左首坐著一個老人,從 我身上發射出去的巨大的善意之光平復了密布在他額上的皺褶,驅散了那片 使他眼楮昏暗的陰影。我從他身上趕走了死神,他用死而復生的嗓子講話, 發現了我在他身上完成的奇跡,感激不盡。我身旁坐著一個姑娘,曾經身患 重病,受到束縛,受盡壓迫,並且深深地陷入自己內心的混亂之中,可是現 在她神采奕奕,看上去已經恢復健康。我用我嘴唇的氣息把她救出恐怖的地 獄,讓她升上愛情的天堂。她的戒指在我手指上熠熠發光,宛如晨星。在她 對面坐著另一個姑娘。她也在感激地微笑著,因為我使她面容嬌美,並且在 她光潔晶瑩的額頭四周堆上濃密芬芳的黑發。我對他們大家都有饋贈,並且 以我親自在座這個奇跡提高了他們的身價,他們的眼里部充滿了我給予他們 的光明。如果他們互相對望,我就是他們目光中的閃電。如果他們一起交談, 我就是他們話語的含義。只有我才是他們話語的意義,甚至于在我們沉默不 語的時候,我也停留在他們的思想里。因為我,只有我寸是他們幸福的起始、 中心和根源;在他們互相稱贊的時候,稱贊的是我;在他們彼此相愛的時候, 他們認為我是他們一切愛情的創造者。而我坐在他們當中,為我的作品而歡 欣鼓舞,我看到,對我的造物表示善意是件好事。我于是在喝酒的時候也同 時痛飲他們的愛,在吃飯的時候也同時享受他們的幸福。 昏昏沉沉地從墳墓里爬出來?,重見天空和神聖的天光,他的眼楮當時大概就 是這樣的吧。我感到他的手在我手里哆嗦不已,哆嗦得越來越厲害。然後他 的頭開始低垂下去,越垂越低。我馬上想起他過去如何低下頭來吻我手的情 景。我急忙把手抽回來,又說了一遍︰韭菜在线视频7m超碰av 對嗎?”97超碰在线观线郑贝贝 四十三 “喂,費倫茨,你這小子,”我勉強笑了起來,回答道,“你會非常仁 慈地允許我,也會頭痛一回,也會覺得不怎麼舒服吧。”超碰在线国产视频公开 子里尋找一個支撐。然後她摸索著往前走,兩道眉毛在一雙光線熄滅的眼楮 上面繃得更緊了,她用另一副嗓子、非常生硬的嗓子對我嚷道︰ Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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