Big Thief

Two Hands

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  • 97超碰学生妹在线视频超碰在线视频区小学生超碰在线看片免费视频瑞幸咖啡盘前大跌:跌幅达5.3%


      這次他倒沒有牛飲般一口喝了,端著杯在鼻尖晃了一下,小口小口的品嘗起來。   陸昔年︰“......”這茬他還真忘了說,不過陸昔曉是怎麼知道的?97超碰学生妹在线视频   風信子的約定︰我還是覺得這一切都是巧合,大家都在猜測而已,除非Lin神親口承認,不然我是不會信的!超碰在线视频区小学生   陸昔年吃完飯也沒來得及收拾,被林徵羽人一路拉著上到樓頂。這種公寓的樓頂平常都是鎖著的,也不知道他怎麼弄到的鑰匙,還特意布置了一番。   林徵羽︰我這邊已經錄完了,正在開車過來的路上。超碰在线看片免费视频   陸昔年絕對特別有發言權! Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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